WEKO3
アイテム
アレン・ギンズバーグの詩のリズム
https://hju.repo.nii.ac.jp/records/1077
https://hju.repo.nii.ac.jp/records/10778baf7fa0-508e-4bbd-84f1-63f60df61543
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
eibeibungaku18tanioka.pdf (1.2 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2023-03-02 | |||||||||||
| タイトル | ||||||||||||
| タイトル | アレン・ギンズバーグの詩のリズム | |||||||||||
| 言語 | ja | |||||||||||
| タイトル | ||||||||||||
| タイトル | Allen Ginsberg's Poetic Rhythm | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | eng | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | Allen Ginsberg | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | アレン・ギンズバーグ | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 詩 | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | Poetic | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| 著者 |
谷岡, 知美
× 谷岡, 知美
× Tanioka, Tomomi
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | This essay examines the poetic from of Allen Ginsberg's works, focusing on his “one speech-breath,” by which he means that one line contains one thought. Several critics, such as John Clellon Holmes, Helen Vendler, and Tony Trigilio, point out the importance of the rhythm of “breath” in Ginsberg's poems. Until 1955 when Ginsberg wrote “Howl,” he had struggled to grasp the way to compose his poems. Finally, he found his own way of composing poems, which is called “one speech-breath,” when he completed “Howl” in 1956. His “one speech-breath,” is to be based on his “breath”(Hyde 1984). This new way of expressing himself enabled him to project his inner voice in his poems. In order for his inner voice to be heard in his poems, Ginsberg tries to introduce repetitions, “paratactic style”(Burns 1983), and syncopation. When he writes poems, Ginsberg makes every effort to come close to his own breath in his works. | |||||||||||
| 書誌情報 |
広島女学院大学英語英米文学研究 号 18, p. 49-71, 発行日 2010-03-30 |
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| 出版者 | ||||||||||||
| 出版者 | 広島女学院大学 | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 0917-964X | |||||||||||
| フォーマット | ||||||||||||
| 内容記述タイプ | Other | |||||||||||
| 内容記述 | application/pdf | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
